If I were sitting down somewhere by the roadside and
watched the following scene happen as a spectator, I'm not sure what I would have been left
thinking. One thing for sure, it would have been the most bizarre thing. So here goes:
Three women are walking down the road on a journey, carrying their earthly possessions. One of them is an old woman, and
the other two are young beautiful ladies. They are walking on a dusty road when suddenly, the old lady stops. She starts talking to them, and they all
start crying. The two young ladies respond, and they look like they're begging, pleading with the old lady. But the old lady is calm, and says a few more
words. One of the young ladies hugs them (or maybe she only hugs the old lady)
and turns back, she goes the other way. It is now just the old lady and one of the young ladies. The two talk some more, and they seem to be having a very
intense discussion, crying and all. Then finally, they seem to reach some sort
of consensus. The pleading stops, and they continue on their journey.
If I had been sitting down spectating all of this without necessarily hearing what was being said, I
would have thought, "what on earth has just happened here???".
There is something truly amazing about this scene. I have
played it out in my mind so many times and the more I do, the more I become thrilled
by it. I know I have briefly mentioned this scene in Part 1, but I feel we should give
it a revisit. We didn't do justice to it, so let's try again.
So Naomi's husband dies.
And just when she is getting used the pain of having lost her husband,
her two sons also die. I have personally experienced death in my immediate family a
few times, so I can somehow relate with how Naomi might have been feeling. It is the most debilitating thing. It saps you of every little ounce of energy you have.
So it is during her time of grief, that she hears that
things had become better in Judah, her birthplace - the famine is gone. The irony of it is that
she and her family had left Judah to escape possible death from the famine, only to find
death waiting for them (bar Naomi) in exile, in Moab. After a while, the famine in Judah ends, there is some semblance of restoration, and food is now available. Suddenty, the prospect of going back there to her home, becomes
appealing. I also imagine staying in Moab had become too much for her. She
could no longer stay there. It had become just a bit too much for her – I
think it had become a constant reminder of her loss. She needed change, even if
it meant going back to her hometown.
So she says to her daughters-in-law, “Let’s leave this
place. Let's go back to Bethlehem, to Judah my home”. I'm not too sure how they
took this proposal from their mother-in-law. After all, Moab was their home.
But they go with her, and this is where my favourite
scene happens:
they're on the road from Moab to Bethlehem. It is hot and dusty; their feet are all caked with the dust and the mood is absolutely sombre. The three widows are walking in silence - a woman with her two young recently widowed daughters-in-law. They're all deep in thought. The two young women are grieving the loss of their young husbands, but they're also thinking of a new life that awaits them in Bethlehem. What are they going to do? Who's going to fend for them? Will they adjust to the culture, the religion? What about their families? Will they ever see their folks again? Oh, and will they find love again? Will they again find comfort in the arms of other husbands?
So there must have been an air of uncertainty, compounded with grief and pain. Everyone is silent as they walk - all three are captured in deep thoughts.
they're on the road from Moab to Bethlehem. It is hot and dusty; their feet are all caked with the dust and the mood is absolutely sombre. The three widows are walking in silence - a woman with her two young recently widowed daughters-in-law. They're all deep in thought. The two young women are grieving the loss of their young husbands, but they're also thinking of a new life that awaits them in Bethlehem. What are they going to do? Who's going to fend for them? Will they adjust to the culture, the religion? What about their families? Will they ever see their folks again? Oh, and will they find love again? Will they again find comfort in the arms of other husbands?
So there must have been an air of uncertainty, compounded with grief and pain. Everyone is silent as they walk - all three are captured in deep thoughts.
But the mother-in-law has thoughts of her own. She must
have been thinking “I have lost my loving husband. My sons are also dead. What
have I done to deserve this? What terrible thing have I done, LORD? What will
people say when I get back to Bethlehem? How am I going to face the world? I am
weak; I don't know how I'm going to make it. Really, I don't. And LORD, what
about these two girls? They're looking up to me, and I have nothing to offer
them”. She sees the pain in their eyes,
and the uncertainly written all over their faces.
And she can’t keep quiet any longer, and I imagine her
finally breaking the silence: “Girls, I can’t do this to you. I can’t take you
away from the land you've known all your lives. I love you like my own
daughters. And you have been so good to my sons; excellent wives you have both
been. You have also been so kind to me. But I can’t take you away from
everything that you know.”
“Look at you”, I imagine her continuing, “you are both
young and beautiful. You have lives to live and your dreams are still fresh.
Much as I love you, and much as you bring me warmth and comfort in my grief, I
have to let you go”.
This shocks the two young ladies. How can Naomi even
think about letting them go? They have known her for so long, and she has been
so good to them. She’s treated them like her own daughters. Yes, their husbands
are both gone, but she is still their family. “So no, Naomi, we are going with
you” they cry. “We’re in this together. How will you return to Bethlehem with
no family – no husband and no sons, or daughters-in-law. No, we will go with
you.”
This becomes harder than Naomi thought it would be. These
girls do not understand what it took for her to finally admit that she cannot
remove them from their lives. “I really can’t do this to you girls. You really
need to go back. This is much harder for me than it is for you. You’re the only
family I have left, but I need to release you. I’m old now, and I do not have
much to look forward to. But you, you both have so much to look forward to, so
much to give. It's not that I don't want you to come with me. I just want you
to be happy. In fact, I'd so like to see you happy, so much that I even want to
see you remarried. Knowing that you have both found refuge in the arms of other
husbands will be some much needed comfort for me.
At this, they all weep some more!!! They’re all hugging
each other, weeping, BUT the three are crying for different things. Naomi is
crying because she must let her daughters-in-law go - the only link she had
with her departed sons. Orpah, is crying for something else: she is bidding
goodbye to her mother-in-law, the woman who has been so good to her. The mother
of her dearly departed husband - her only living link to him. BUT, there is
Ruth, the unrelenting Ruth, who is crying for something else. I love Ruth!!
Okay, let me get a hold of myself.
So finally, Naomi’s argument convinces Orpah. It makes sense
to her. What’s there for her in Bethlehem? Is she going to live the rest of her
live tending to her mother-in-law? She realizes that this is actually much more
difficult than she thought. She had not applied her mind to this. So she
decides the best thing to do for herself - she turns and walks back home.
Naomi then turns to Ruth. "Look at Orpah", she says. She’s
going back home, to her people and to her old life. “Why aren’t you going with
her?” she says, with tears in her eyes. They both look at Orpah. She’s chosen
to go back to her gods, to her people, to her old way of doing things. She's
not ready to march into new territory, new avenues. She’s not ready to embrace
a new world. She chooses to go back to familiarity.
And then we finally get to see what Ruth was crying for. We get
to see the beauty of her heart. It is here that her amazing character emerges - we get to witness the tenacity of this young woman, Ruth. She emerges not only
as a caring and kind woman determined to be there for the mother of her deceased
husband, but she also emerges as a woman of great resolve and determination.
She emerges being a woman who knows what she wants. She is staunch, yet humble.
She is persistent, but also gentle.
She is facing the uncertainty of what Bethlehem, her new
home, brings her. She was given an opportunity to turn back to a life she’s
probably comfortable with, a life which might be more predictable and reliable
than her new one and she watched her sister-in-law going back to this
more familiar life. But Ruth makes an unprecedented move – she chooses the road
less travelled. In one paragraph, she makes a statement that will ring through
the ages. She says to her mother-in-law:
“Don’t urge me to leave you or turn back from you.
Where you go I will go, and where you stay I will stay.
Your people will be my people and your God my God”
I’m sorry, I can’t get over this declaration by Ruth.
Something about it makes you sit down and pause for a second. What is amazing
about this statement by Ruth, is not only that she is refusing to give up on
her mother-in-law; it’s not that she is showing her astounding compassion for a
woman she has come to love so dearly. No, what is most breath-taking for me is
that she is refusing to turn away from her destiny. She displays amazing
courage by going against the grain, and declares that she will march on to a
world she does not know.
It would have been perfectly understandable and
acceptable for Ruth to join her sister-in-law, Orpah, going back home. It would
have made sense. But the only thing about turning back like Orpah did is that she
would have walked into the sunset and we would have never heard anything else
about her again. She would most probably have left no mark in history, other than she
would have remarried and lived a nice comfortable life with her new husband.
But no, not Ruth. Ruth makes an astounding decision. She is not letting Naomi go alone. She, unlike Orpah, decides to march on to this new territory, no matter how scary it might have been.
In the final analysis, what makes Ruth's decision overwhelmingly humbling is this bold declaration here: "your people will be my people
and your God my God". What she is saying here is, not only does she want
to be with Naomi, but she is also prepared to change whatever needs to be changed in order to embrace the new. She is letting go of her gods and embracing a new One. She is leaving her old life and taking a bold step of building a new one.
How many would have made such a decision? How many would
have been so bold as to say, I’m ready to leave everything behind and embrace
the new. Okay, let me ask this differently; how many would have been ready and
bold enough to say I am ready to let go of my old self and to become a new me?
Ruth chose to take the road less travelled, with all the
uncertainties that it presented. What I love about her is that she did not do
it for the possibilities of making a better life in a foreign land. She just
chose a new way, untested and untried, because the time and the season called
for it.
At the risk of being preachy, I can't resist but ask:
if your "season" demanded that you change everything, your
surroundings, your life, and your way of doing things, would you? If your season demanded you let go of everything you knew, and march on to unchartered territory, would you? I mean,
we change the way we dress, what we do and how we do things when seasons
change; when winter becomes spring. Why not apply the same principle when it comes our spiritual lives,
careers etc? Would you be ready to let go of the old and embrace
the new when the season called for it?
Ruth made an unpopular decision of willingly and
consciously changing her circumstances, a decision that would later make her a channel through which
history was made. In Ruth, I am learning
the power of remaining true to my belief and conviction. I love Ruth.
I’m sorry, I was supposed to talk about Boaz on this
post, BUT this woman, Ruth...!!!
Okay, enter Boaz…… (let’s explore him in the next post).
Picture taken from commons.wikimedia.com